Then there was a day where I painted graffiti one percent less and then the amount of time that I spent making works of art in my studio. Every day it was one percent less, while the time spent in my studio got longer. And this hard-to-decipher thing called art became my new practice, my new studio practice of everyday painting.

My journey started with Lichtenstein and Warhol because art history called their works graffiti art. I then moved further in and on to Richter and Polke, because I wanted to be a painter. When I got sick of making sculptures that I called paintings, I ran over to a cliché Lower East Side style of working, and absolutely loved it.

I currently make videos and live in Los Angeles. I am most impressed by video works when I go to the museum because they're flashy and immsersive, and art without technology is something I usually find dull. The move from sculpture to video work was a natural transition because my sculptures were essentially large movie props already.