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CV
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2002-2005 Awards Solo Exhibitions Group Exhibitions Related |
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| PRESS |
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Observing William Steinman’s paintings and sculptures is the equivalent of trying to stay perfectly still inside a hurricane of motion. He constantly plays with adaptation and reconstruction within an environment of deconstruction. Using found materials, store bought objects, comic books, and finishing them off with industrial glue, the end result is what he likes to accurately describe as “the dark side of Pop.” 2010 | Beautiful Decay His deconstruction of comic books through his devout appreciation for the source material is evident in much of his work. His line style is erratic, moving as much as he has traveled, before settling in a position poised to dart again. His reinterpretations of popular culture embraces the memories forced upon us through marketing and seeks to play with the emotions and principles those images envoke despite the nostalgia. I love the color and texture of William's work. There is an intensity w/ a raw, sexual undercurrent that is especially nice. His comic flesh grouping is my favorite, hands down. The presence of bright color is just right. Nice balance. William was heavily influenced by graffiti growing up, which later evolved into a passion for pop and contemporary art. I am continually excited by artists who have started out on the street w/ no reference of graffiti in their current work. It's refreshing, dynamic and different. Not to mention, considering how popular graffiti and street art are in today's atmosphere, above all bold. I'm ridiculously excited to finally share with you the work of the William Steinman. His work is finally done being photographed, and after a day of being banished to my computer until it was done, we're launching his portfolio site at WilliamSteinman.com. Shown here are my 3 favorite pieces." |
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| COLLECTIONS | Bari Watkins, Dean of Ohio University Lancaster, Ohio 2006 Anneliis Beadnell, Founder of Artist for Artist, New York 2010 |
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